4,083 Royalty-Free Audio Tracks for "B Major Chords"

An arpeggio.

Nocturne in D-flat Major, Op. 27, No. 2

Nokturn Es-dur op. 55 nr 2Nocturne in E flat major, Op. 55 no. 2

Ascending and descending scale played in E major

Ballade No. 2 in F major, Op. 38.

Nocturne no. 2 in e flat major, op. 55

Chopin - Nokturn Fis-dur op. 15 nr 2Chopin - Nocturne in F sharp major, Op. 15, no. 2

Mazurka no. 2 in d major, op. 33

Augmented triad on D.

Beethoven Appassionata 3 final bars of Andante

Chopin Waltz in D flat, Op. 64, No. 1

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Primay triads in c, as MIDI

Ballade no. 3 in A-flat major, op. 47

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

Major scale on A.

*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.

Grave whole tone on C (D--), 800/729, 160.90 cents.

Major chord on C in just intonation (1/1, 5/4, 3/2).

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

Ascending and descending scale played in E flat major

Nocturne no. 2 in e-flat major, op. 62

The official anthem of the province of Cebu in the Philippines, performed by the Capitol Choir

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

♭III+ chord in just intonation. Pitch bend matches intervals.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

iii7 as tonic substitute. Created by Hyacinth (talk) 16:16, 14 July 2010 using Sibelius 5.

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

Diatonic scale on C.

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante(1)

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

C major bebop scale.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Barbershop bell chord. Pitch bend matches just intervals.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Diminished seventh chord's use in modulation.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 44 Fugue No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 44 Fugue No. 22 in B-flat minor, BWV 867